The Never Ending Arts Degree

In 1996, Lloyd Davis had us present a seminar and I think they were allocated.

All I have have is the text submitted as an essay that reflected the presentation. He suggested I had tried to fit too much in and the first half lacked coherence but the second half was better. It must have been a difficult part of the job slogging through such uninspired work.

HENRYSON

Despite his criticism he gave me 16/21 which was pleasing at the time.

The dust in my life had settled enough to consider study again in 1996 after a long break.

As usual I had no idea how privileged we were to have Lloyd Davis as our lecturer. I can’t say I remember much about him except he helped with a slog through some pretty dense material.

I was sad to learn as I did my usual search for the further career of my lecturers to see he had a stellar career cut short by death in his forties.  He can’t have been much older than me and he won Humanities teacher of the year the year he taught me.

This eulogy tells the tale of his achievements. He is remembered by the Lloyd Davis Memorial Fellowship.

This course included some Medieval texts as well.  He started with Gower and continued through Henryson, Spencer and Milton. It made sense to dodge Chaucer since he was covered in other courses and Gower and Henryson were not emphasised in other places.

My notes say there was a seminar we had to prepare and then submit as written work along with a research essay. I don’t remember giving a seminar but I suppose I must have.

He gave us a thick subject reader and assistance getting into the mindset of the era.

I didn’t do any study for eighteen months so there is a gap until first semester 1996.

In that time I was still working full time in General Practice – I hadn’t noted that while doing the BA I finished a “Certificate of Satisfactory Completion of the Family Medicine Program” in 1989.  It was sufficient in those days to become a GP. I even did a couple of units towards an FRACGP but never finished it because I didn’t need to.

We also had a fourth child, a boy who was impossible at the time. This meant our little house was bursting at the seams. We moved into the hall for a while but then moved to a rental property, demolished the house and had a proper one built.

My mother died.

There were lots of reasons to put study to one side.

For the second essay in Medieval Studies: Romance in first semester 1994, we were asked to write 3000 words on an issue relating to genre/romance in the work of both Chaucer and Malory.

It was due only a week after that first essay in late May, so I can only guess I worked at them at the same time but was too lazy to get the first one in early. With my previous studies it looks like I had to look for religious aspects in the works. I even dropped a passage from Screwtape in, which seems gratuitous.

The essay suggests a fair bit of work and is reasonably coherent.

I had lost this word file and since I had no paper backup, I went searching old document backup discs to no avail. I found an old Win98 computer in the garage that still fired up and I happily found it backed up there.

FALL

Dr Moores gave me a 6 (from 7) for the course.

I remember this poem by Chaucer was long and difficult to read. We were asked to write an essay on an aspect of “romance” in the poem in relation to modern expectations and understanding of the genre.

I can’t remember enough about the poem to know if I wrote a good essay, but even though I think I was struggling I seem to have had enough time to make a coherent essay.

Troilis

Rather than having a break after finishing my BA, which I should have done, I plunged straight into a Postgraduate Diploma of Arts in 1994. This was the equivalent of an honours year spread over more than a year. It required 4 units of study and a dissertation.

I wanted to study more medieval English so perhaps this subject was only being offered in this semester so I had to get on with it. The fact that I had a year off after this subject suggests to me I would have been better off waiting. I also can see a somewhat desultory attitude in my notes.

It was taken by Dr Elizabeth Moores who would supervise my dissertation later on. She has been able to keep herself off the internet and, apart from some traces as a PhD supervisor or a facilitator at a conference, I can find no trace of her or what became of her. She is not listed at UQ these days.

The course consisted of looking at the genre of “romance” literature then looking at The Canterbury Tales, Troilus and Criseyde, and Malory.

It was assessed by two assignments that were both due in late May 1994 and I think there was a 10% participation mark. If I had been on the boil I would have submitted the first early to get an idea how I was going but it looks like both were left to the last minute.

The course was on a Monday afternoon, which must have been quite disruptive from a work perspective at my General Practice.

This was the essay from this subject EN211. Since literary theory from Leavis onward made my brain hurt, I decided to latch onto Eliot and answer the question set about him.

I supplemented my book of Eliot’s prose with every article I could find that he wrote. I remember finding them in very old volumes of periodicals in the Central library.  On one occasion I thought I had found something important and found the volume of the series, only to find the much sought after article from the 1930s neatly snipped out – the rotten swine. This obviously predated online searches.

I spent a lot of time reading and trying to understand and I suspect managed as reasonable argument.

Eliot

I was pleased to get a 7 (out of 7) for the subject and ended my Arts degree on a high note with plans to continue English studies the next year.

In second semester 1993 I started the last subject in my cobbled together Arts degree done over eight years while working full time in medical practice. This theory subject would allow me to continue studying English in a Postgraduate Diploma after getting my BA.

The lecturer was local legend Dr Dan O’Neill. He had been prominent in radical politics and the resistance to the undemocratic, authoritarian and corrupt Queensland governments in the past. He is still listed as an honorary lecture although he retired some time ago. He now runs a reading group at the University.  I found this extract from an interview on the ABC from 2011:

When I retired at the age of 65, I wanted to keep doing something like what I’d done before. You know, I’d spent a hell of a lot of time giving lectures and tutorials. Particularly the tutorials was something I really enjoyed, you know, contact with people and stimulation of questioning things and hearing people’s opinions and cross-questioning people and being cross-questioned and so on. I really enjoyed all that and it was a way of life I just didn’t want to give up. And so I thought that the way to continue this would be to convene reading groups and collaboratively read through works of literature, fairly slowly, with a lot of discussion about what it all meant. So I decided I’d convene a number of reading groups. I suppose for me it was sort of like dying and going to teacher heaven because you no longer had to do any marking and trying to grade people against one other. And so I thought that this would be pure enjoyment. And that seems to me to be the way it has turned out.

This brief appreciation gives a flavour of his influence at UQ on students over a very long time.  I was briefly one of them.

Once again on Wednesdays, I was leaving General Practice in the afternoons and this time spending two hours trying to keep up with literary theory.

We were kindly given a left over book of his Subject Materials from the old external honours course in Literary Criticism that also included material on Plato to Coleridge from Lit Crit A.

The subject we were doing, however, was a survey from that time forward – Arnold/Pater/Wilde/Eliot/Leavis/Williams/Marxism/Feminism/Structuralism/Post-Structuralism/Deconstruction.

We were offered a pass for attendance and showing we had read the voluminous handouts, or a graded assessment if we also submitted an assignment.

As the semester went on I found the material more and more head spinning. I didn’t take a lot of notes as I recall the sessions were more conversational and interactive than I had been used to. It was great.

Years later I saw Dan O’Neill’s name pop up in a collection of Clive James articles. Dan had been quoted in a book about expat Australians that had got under Clive’s skin and James let him have it with a bit of sneering invective. I am a great admirer of James’s writing style, and I own just about everything he ever published, but he has his blind spots and although Dan was only collateral damage in a take down of another author it struck me as unnecessary.

I know there was a 30% exam that was looking at MLA style, research tools, proofreading, editing and a hypothetical research situation.  I have a past paper but not the one I sat in the middle of 1993.

That said, I must have done well enough to meet the pass/fail criteria. This left me one subject left for a BA and supposedly qualified to do higher research in English.

There was a non-graded editing exercise and then this task. We were given an archive box from the Fryer Library that had items about a past production at the Brisbane Repertory Theatre.

We had to answer ten questions based on the contents and our research.

One item eluded me and I actually rang the poor fellow who had been the production adviser for the performance in question to confirm my answer. It got me 14/15.

MANUSCR